Monday, 5 November 2012

More planning ideas

Me and my group spent a session after the Umut Gunduz session visualising what our documentary would look like and consist of. The session with umut proved extremely useful in getting our documentary and question in the space of 2 hours. With a treatment done its time to get visual.

The Image above is what we thought of after finally getting our documentary and question together. It is simply a draft and breif outline of what we need to reasearch, whos going to cast in it and where would it be shot. At The bottom of the page is has a quick and short storyboard of what we think it would look like.

Passport Patrol (Documentary Analysis)



Ideas From MyStreetVideo

So we had a talk from a rising director of documentarys and he recommended to view www.mystreetview.com and check out the videos there to get some ideas for our documentary.
I found a video called roof level that is simple a video of the sky sped up. Although this video may seem irreverent to my documentary idea, the sped up effect has some potential in my documentary. I want the audience to know that my documentary happens over a period of time and not just in one day that may seem fairly amateur. This sped up effect can dictate a ongoing story which I think can fit in nicely with mine. 


'ROOF LEVEL' (2011) by Craig Murray for MyStreet Films from MyStreet Films on Vimeo.

 Diaspora In Smoke also has a sped up effect that i think could fit in my documentary with ease.

'Diaspora In Smoke' by Michael Buckman for MyStreet Films from MyStreet Films on Vimeo.

Friday, 2 November 2012

Different methods to create documentaries



Errol Morris
...was born in 1948 in New York. He is a well known documentary making who mostly uses natural lighting when creating his documentaries. This is interesting as it shows his desire to create a natural piece of film, preventing anything artificial. Again, this links to what we are exploring "Do we capture or shape the truth?" He is also known to ask a broad question to his subject and leave the camera rolling. From this he has seen how someone can pour their heart out on camera not even taking into account that it is there (natural vs performance)

Ali G method
Ali G is a well known character that everybody knows for his documentaries which seem to be taking the mick out of who he is interviewing. Before interviewing, Sacha Baron Cohen would dress up as Ali G and set up where the interview would take place. From first impressions the person being interviewed would assume he is just someone on set not knowing he would actually be taking the interview. Ali G would quickly ask a few warm up questions whilst setting up making them rethink their prejudice of believing someone else (because of how he is dressed) would be taking the interview.

The Office
Is a fictional sitcom series created by Ricky Gervais first broadcasted in 2001. Although it is fictional and scripted the sitcom does take the form of a documentary. It creates a quite amateur style of documentary or a in other words a: 'mockumentary' with zooming in to create the narrative. The characters are also aware of the camera's presence. 

SO!

Who are the key characters in our documentary?
  • Kyreece (Ali's nephew)
  • 5 civilians
  • Ms Louis; a psychology and science teacher 
  • Dopamine 'addicts' Khalum, Andrew, Aidan....
  • Mr McCalley; a psychology teacher
What strategies would we use to ensure our subjects do no 'perform' for the camera?

Thursday, 25 October 2012

The Lord Is Not On Trial Here Today (2011)

http://billmoyers.com/content/10-documentaries-on-champions-of-social-justice/

THE LORD IS NOT ON TRIAL HERE TODAY - trailer from Jay Rosenstein on Vimeo.



I found a website that contains clips of documentaries and came across the documentary 'The Lord Is Not Trial Here Today' directed by Jay Rosenstein. I found the use of the archive footage in the form or a document looked exceptional in the way it was shot. I can see this being used in my documentary when explaining dopamine. 

Thursday, 18 October 2012

Ethical issues

Below is a mind map of ethical issues that could arise when filming our documentary.
Even though we are amateur documentaries, we are taking into account the ethical issues any documentary maker would.

My group and I came up with ethical suggestions about documentaries:
1) Documentaries shape the truth
2) Documentaries represent someone's version of the truth
3) Raw archive footage is more truthful than staged scenes
4) Documentaries are more truthful than fiction
5) Documentaries capture the truth